entertainment

Do2dtun React to Scandal, Defends 2Face Apology Authenticity

Published

1 year ago

July 2, 2025

Jonas Jeovita

Do2dtun reacts to scandal, claiming 2Face was forced into his apology over commitment remarks and urging therapy for the singer to aid true personal recovery

Do2dtun reacts to scandal with concern after singer 2Face apologised for claiming men struggle with sexual commitment.

Also read: Do2dtun Reacts To Scandal, Defends 2Face Apology Authenticity

The renowned OAP, also known as Oladotun Ojuolape Kayode, said the apology seemed forced and suggested someone was exploiting 2Face’s vulnerability.

The apology video aired on X following fierce backlash.

In it, 2Face said sorry to his wife, Natasha Osawuru, and their children. But Do2dtun argues 2Face has never acted so publicly remorseful before, indicating something is off.

Do2dtun reacts to scandal bluntly. On X, he wrote, “Please I don’t like this 2Face I’m seeing. Something is not right at all. He can express himself how he chooses to, but why always make him retract a video or make an apology always like a child? He is vulnerable, and someone is milking it. Whoever is holding that camera is wicked.”

He believes external pressures led 2Face to issue the apology.

He continued: “Someone is forcing him to be who he is not. 2Face hardly addresses anything. Even in his worst of worst scandals, he never addresses anything like this. Something is wrong. He is regressing, and I hate it.”

This assessment suggests Do2dtun sees a pattern of manipulation behind the public apology.

Do2dtun reacts to scandal by defending 2Face. He noted that the singer spoke his truth when he said men aren’t built for sexual commitment.

Do2dtun argued that reducing the issue to media spin was unfair. He believes accountability is needed, but not at the expense of the singer’s autonomy.

Do2dtun reacts to scandal again when he expressed concern for 2Face’s mental wellbeing.

He urged the singer to seek professional help, stating that genuine reconciliation with family depends on his personal recovery, not scripted remorse.

Public reaction to Do2dtun’s comments has been mixed. Some applauded his willingness to challenge perceived coercion, while others questioned whether mental health discussions should be publicised.

Still, his frank assessment has set the tone for broader conversation about celebrity vulnerability.

Do2dtun reacts to scandal by encouraging media literacy. He implies that scripted apologies may conceal deeper issues.

By calling out the “camera holder,” he highlights that narratives are often shaped off‑screen.

Please, I don’t like this 2Face I’m seeing. Something is not right at all… He is vulnerable, and someone is milking it. Whoever is holding that camera is wicked.

His warning asked viewers to look beyond the image and consider context.

He added that 2Face’s silence during previous controversies made his sudden apology feel inconsistent.

Do2dtun questioned whether the singer’s current emotional state is being used for personal gain by others.

Do2dtun reacts to scandal but stresses empathy over condemnation. He said 2Face needs help, not ridicule.

The suggestion of therapy reflects his belief in emotional support over public shaming, which could lead to healthier outcomes for the singer and his family.

Local media have noted that 2Face’s apology sparked debate about masculinity, marriage and public accountability.

Do2dtun’s stance adds another layer, focusing on narrative power and mental health awareness.

Do2dtun reacts to scandal by calling for caution.

He asked social media users to pause before judging or ridiculing.

“Let’s ask who is directing the apology and why,” he seemed to imply, urging questioning rather than blind acceptance.

In conclusion, Do2dtun reacts to scandal by defending 2Face’s humanity. His message encourages scrutiny of public narratives and care for emotional health.

As the apology video spreads, viewers are prompted to consider what lies behind the camera.

Also read: Adedoyin, Rotary District 9112 Governor’s Role to Begin with ‘Unite for Good’ Mandate

Do2dtun’s intervention reframes the scandal into a dialogue about truth, vulnerability and the cost of public exposure. It is a timely call for compassion in a world quick to condemn.

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Tyla Breaks Silence With Call for United Africa After Backlash

Published

11 minutes ago

August 18, 2026

Mariam Balogun

Tyla calls for a unified Africa after backlash over xenophobic attacks, saying she is proud to be South African and African

South African singer Tyla Laura Seethal has called for a unified Africa during the South African Music Awards, weeks after facing criticism in Nigeria over her silence on reported xenophobic attacks against Nigerians in South Africa.

Also read: Trabzonspor Set €30m Price for Onuachu

Tyla made the remarks at the awards ceremony over the weekend, where she spoke positively about her South African identity while also emphasising the importance of continental unity.

“And I am just so happy to be South African. I’m happy to be African most of all. I pray one day to see a unified Africa. It’s so important,” Tyla said.

Her comments come after a heated debate in Nigeria over her planned Lagos concert and her perceived silence on renewed reports of xenophobic violence involving Nigerians and other African migrants in South Africa.

The controversy intensified in late July after Tyla announced her A*POP World Tour, which initially included a December 22 performance in Lagos.

Some Nigerians called for a boycott, arguing that a South African star should not perform in Nigeria while Nigerians were facing alleged xenophobic attacks in South Africa.

Others defended Tyla, saying she should not be held personally responsible for the actions of individuals or the South African government.

The dispute took a significant turn on 31 July when Lagos disappeared from the singer’s official tour itinerary.

The change was widely reported after checks of her tour schedule, although Tyla and her management did not publicly give a reason for removing the Nigerian date.

Her remaining South African performances were still listed, including shows in Cape Town and Johannesburg, making the Lagos removal particularly sensitive for Nigerian fans and commentators.

The backlash was not, however, without opposition. Some Nigerians and public figures argued that directing anger at Tyla was misplaced and that governments should be held responsible for protecting citizens and addressing xenophobia.

Omoyele Sowore, for example, said Nigerians should not hold Tyla personally responsible for violence carried out by others, while DACO LP Africa also argued that the singer should not be treated as responsible for government policy simply because she is South African.

The controversy unfolded against a wider diplomatic strain between Nigeria and South Africa.

In July, officials from both countries agreed to work towards easing tensions after a series of attacks targeting Nigerian nationals, with South Africa pledging stronger protection for foreign nationals and prosecution of those responsible.

The episode has also revived a longstanding conversation about the relationship between entertainment, national identity and political responsibility in Africa.

For Tyla, whose global profile has grown rapidly through songs including “Water”, the moment offered an opportunity to speak about her identity without directly addressing every aspect of the controversy surrounding her Lagos concert.

Her emphasis on being African “most of all” appeared to strike a broader note, particularly at a time when tensions between African communities have placed renewed attention on the idea of continental solidarity.

Whether the remarks will ease criticism in Nigeria remains uncertain.

The Lagos concert has already disappeared from the announced tour schedule, and no public explanation has been given for the change.

Also read: Trabzonspor Set €30m Price for Onuachu

Still, Tyla’s call for unity provides a softer response to a controversy that had become increasingly charged online, while leaving open a wider question about how African entertainers should respond when political and social tensions cross national borders.