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Access Bank and the Rebirth of the National Theatre: Revitalising Nigeria’s Cultural Future

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Access Bank spearheads National Theatre Lagos revival, boosting Nigeria’s creative economy and global cultural influence

When the National Theatre Lagos first opened ahead of FESTAC ’77, an architectural
marvel, a symbol of the cultural soul of a nation ready to introduce its artistic brilliance
to the world.

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Also read: South Africa Beats Zimbabwe 3–2 to Reach AFCON 2025 Knockout Stage

Modelled after the Varna Palace of Culture and Sports in Bulgaria and
constructed between 1973 and 1976, the National Theatre was designed as an
emblem of Nigeria’s ambition to be Africa’s cultural capital.

Its 5,000-seat main hall, festival arena, exhibition spaces, and state-of-the-art acoustics made it one of the most
sophisticated performance complexes on the continent.

Access Bank

Access Bank and the Rebirth of the National Theatre: Revitalising Nigeria’s Cultural Future

Throughout the 1970s and 1980s, the Theatre became home to Nigeria’s most iconic
productions, from Hubert Ogunde’s epic plays to international dance festivals,
orchestral performances, film premieres, and global conferences.

It was a beacon for African creativity, a place where culture, identity, music, and storytelling came alive.
But by the early 2000s, the Theatre, though heavy with cultural memory, had fallen into
disrepair.

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Years of inadequate maintenance, stalled concession agreements, and
structural depreciation left the building struggling to meet modern technical and
creative demands. The symbol of national pride had become a shadow of its past
promise.
Recognising the scale of cultural loss and the opportunity embedded within it, the
Bankers’ Committee, with Access Bank playing a pivotal role, initiated the largest
cultural infrastructure revitalisation project in contemporary Nigeria. The decision was

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both strategic and patriotic: Nigeria’s creative industry, now contributing significantly to
GDP through film, fashion, music, design, cultural tourism, and digital content, urgently
needed a modern, centralised hub that could support global-standard production and
creative entrepreneurship.

Reviving the National Theatre would not only restore a national icon but also stimulate job creation, attract international collaborations, and
reposition Lagos as a premier African creative economy hub.

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The renewal of the National Theatre is therefore more than a restoration project; it is a
necessary economic intervention, a cultural renaissance, and a visionary step toward
building a more inclusive and future-ready Nigeria.

And for Access Bank, supporting this transformation is a natural continuation of a long, deliberate commitment to art,
culture, and creative empowerment.
Access Bank’s Legacy of Championing the Creative Economy
Well before Nigeria’s creative industry gained global recognition, Access Bank had
positioned itself as a cultural investor and ecosystem builder.

For over a decade, the Bank has supported transformational initiatives across music, visual arts, fashion, film,
sustainability, and youth development.

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Access Bank has helped spotlight emerging and established African artists on a global
stage through partnerships and collaborations with platforms like ART X.

The annual fair, now one of Africa’s most influential contemporary art events, has benefitted
immensely from the Bank’s commitment to nurturing young talent, commissioning bold
projects, and providing a meeting point for creators, collectors, and global art
enthusiasts.

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In film and entertainment, Access Bank has backed festivals, documentaries, youth-
focused storytelling, and creative incubators, recognising that Nigeria’s cultural exports
are among its most powerful global assets.

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Across literature, community theatre, design, and public art, the Access brand remains synonymous with innovation,
creativity, and cultural elevation.

The revival of the National Theatre is thus an extension of this commitment.

A Cultural Renaissance Rooted in National Development
The National Theatre project is designed as a two-phase undertaking. Phase One,
already significantly advanced, focuses on restoring the original theatre structure.

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This includes upgrading the main stage, cinema halls, exhibition spaces, lighting systems,
acoustics, seating, ventilation, and accessibility infrastructure.

The goal is to return the iconic building to world-class functionality while preserving its historic architecture.

Phase Two introduces a modern Creative Industries Park, a multi-purpose
development designed to house film production studios, music recording labs, fashion
houses, IT and gaming centers, photography studios, coworking spaces, and training
academies.

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This innovation hub is expected to host thousands of young creators
annually, enabling them to produce, learn, collaborate, and scale ideas into globally
competitive businesses.

With Access Bank’s involvement through the Bankers’ Committee, the project has
attracted international partnerships, institutional investors, technical specialists, and
creative collaborators.

It is poised to become one of the most significant cultural and
economic catalysts in West Africa.

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In a world where creative exports have become a major source of national influence,
from Nollywood films to Afrobeats, digital arts to global fashion, infrastructure is
destiny. Nigeria’s young creators generate some of the world’s most consumed cultural

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content, yet the ecosystem has lacked the physical and institutional support systems
needed to harness that potential fully.

The revitalised National Theatre is therefore a launchpad for Nigeria’s next creative
era.
With Access Bank’s long-standing commitment to empowering Africa’s creative
industries, the revival blends heritage with innovation, history with ambition, and art with economic development.

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From art fairs to creative hubs, sustainability initiatives to youth empowerment, Access
Bank continues to champion platforms that inspire, educate, and elevate communities
across the country.

Also read: Coco Gauff Tops 2025 Highest-Paid Female Athletes

By supporting the transformation of the National Theatre, the Bank has once again
placed itself at the heart of Nigeria’s cultural renewal, bridging past and future,
preserving heritage, and building an ecosystem where creativity can thrive without
limits.

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Opinion

Rotary hails IPDG Lanre Adedoyin polio drive

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Rotary

 

By Victor Ojelabi,

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The Rotary Foundation has recognised the polio eradication efforts of Rotary International District 9112 under Immediate Past District Governor Lanre Adedoyin, following the District’s transfer of District Designated Funds to the PolioPlus Fund during the 2025 to 2026 Rotary year, a contribution acknowledged recently, as part of the global funding effort to protect children from the disease.

Also read: From Lagos to Germany: How Rotary Youth Exchange Transformed Arnold Faranpojo

The recognition brings a fitting international dimension to a Rotary year in which Adedoyin, a lawyer and member of the Rotary Club of Surulere South, repeatedly placed polio eradication among District 9112’s major humanitarian priorities across Lagos and Ogun states.

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In a message addressed to District 9112, The Rotary Foundation thanked the District for committing its District Designated Funds to the campaign, saying the collective support from Rotary districts helped the organisation reach its fundraising target and secure matching funds that translate into US$150 million for polio eradication.

“Your support helped Rotary reach our goal and secure the matching funds that translate into US$150 million toward eradicating polio,” the Foundation said.

The money has consequences far beyond the balance sheet.

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According to the Foundation, polio funding supports frontline workers taking vaccines into remote communities, environmental surveillance capable of detecting the virus in wastewater and programmes designed to interrupt transmission in affected areas.

The Foundation said the continuing effort was particularly important in Afghanistan and Pakistan, the only two countries where wild poliovirus remains endemic.

That assessment is consistent with Rotary International’s latest account of the global campaign.

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Rotary says its partnership with the Gates Foundation generates up to US$150 million annually for polio eradication, with Rotary raising US$50 million and the Foundation providing a two-to-one match.

The money supports vaccine procurement, social mobilisation, outbreak response, surveillance and other operational requirements.

Rotary’s involvement stretches back decades. Its first polio vaccination project began in the Philippines in 1979, and the organisation became a founding partner of the Global Polio Eradication Initiative in 1988. Since then, global polio cases have fallen by 99.9 per cent.

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For Nigeria, the story carries particular resonance.

The country recorded its last case of wild poliovirus in Borno State in August 2016.

Four years later, the World Health Organisation African Region was formally certified free of wild poliovirus, leaving Afghanistan and Pakistan as the remaining countries with endemic transmission.

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That historic achievement, however, did not mean the end of the polio challenge in Nigeria.

Circulating vaccine-derived poliovirus can still emerge in communities with low immunisation coverage, making vaccination and surveillance essential even in countries that have eliminated wild poliovirus.

IPDG Lanre Adedoyin with wife at a Rotary event recently

It was against that backdrop that the IPDG’s polio drive developed during the 2025 to 2026 Rotary year.

Adedoyin, who became the second District Governor of District 9112 following the division of the former District 9110, had signalled early in his tenure that healthcare would remain a central part of the District’s service programme.

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His installation in Lagos in July 2025 marked the beginning of a year that subsequently combined fundraising with grassroots advocacy and support for health workers.

By September 2025, the District had held a PolioPlus seminar at which Adedoyin warned against complacency simply because wild poliovirus had disappeared from Nigeria. District records show that the campaign remained prominent in its programme in the months that followed.

In October, Districts 9111 and 9112 took the End Polio Now message beyond conventional conference halls with a joint train journey from Lagos to Abeokuta.

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Led by Adedoyin and then District 9111 Governor Henry Akinyele, alongside Nigeria National PolioPlus Committee Chairman Joshua Hassan and other Rotary leaders, the initiative turned the train journey into a public awareness campaign for polio eradication.

District 9112 also took the message to communities in Ogun State, including a roughly 10-kilometre Keep Polio @ Zero awareness walk in Sagamu aimed particularly at encouraging parents and guardians to ensure that children receive their vaccinations.

In Lagos, the campaign moved from advocacy to practical support.

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District 9112 donated 100 pairs of rain boots and 200 raincoats to the Lagos State Primary Health Care Board in October 2025 to assist health personnel working on polio eradication during the rainy season. The intervention was valued at about ₦1.6 million.

Adedoyin made the District’s position clear at the presentation.

“Our commitment to ending polio is absolute,” Adedoyin said. “We will continue working with the Lagos State Government and our partners until polio is completely wiped out.”

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Another significant moment came towards the end of his tenure.

In June 2026, District 9112 announced that it had raised US$13,000 through the World’s Greatest Meal initiative for The Rotary Foundation’s PolioPlus Fund.

The contribution was described by World’s Greatest Meal Committee Chairman Tokunbo Opanubi as one of the highest recorded by the District through the initiative.

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The US$13,000 contribution is separate from the District Designated Funds now acknowledged by The Rotary Foundation.

Together, however, the initiatives illustrate the different channels through which District 9112 supported the global eradication campaign during Adedoyin’s tenure.

District Designated Funds form part of The Rotary Foundation’s funding system and allow Rotary districts to direct portions of available Foundation resources towards eligible programmes.

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PolioPlus is one of the avenues through which districts can deploy such resources in support of Rotary’s eradication objective.

The Foundation’s latest acknowledgement therefore adds another layer to District 9112’s polio record for the 2025 to 2026 year.

It also demonstrates the multiplier effect behind Rotary’s funding model.

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A contribution originating from clubs and districts can ultimately support a much larger global pool used for vaccines, surveillance, community mobilisation and the difficult task of reaching children in areas affected by conflict, insecurity or geographical isolation.

The stakes remain considerable.

Polio is a potentially fatal infectious disease that primarily affects young children and can invade the nervous system, causing irreversible paralysis.

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Although its global footprint has been reduced dramatically, Rotary cautions that eradication requires sustained vaccination and surveillance until transmission has been stopped everywhere.

The Foundation’s message to District 9112 captured that unfinished mission.

It thanked the District for supporting the PolioPlus Fund and helping move the world closer to the point where “no child is threatened by this disease ever again”.

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For Adedoyin, who handed over the governorship of District 9112 at the end of the 2025 to 2026 Rotary year, the recognition offers a powerful postscript to a year in which the District’s contribution was measured not only in fundraising figures, but also in public advocacy, community mobilisation and support for those working closest to vulnerable children.

Also read: From Lagos to Germany: How Rotary Youth Exchange Transformed Arnold Faranpojo

And for District 9112, the acknowledgement connects a local Rotary story from Lagos and Ogun states to a much larger global ambition: ensuring that the final cases of polio become part of history rather than the beginning of another outbreak.

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